World Music Day

 World Music Day 

World Music Day Assignment

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Sarali Swaras By Venu Guru

 Sarali Swaras By Venu Guru

First Sarali Swaras

Second Sarali Swaras

Saptaswaroodham Song

Saptaswaroodham Song

Lyrics

Saptha swaroodam,Nakshatra malam,

Koti kiranam bhaskaraya.

1.Prathamatha vishnum,

Madhyatha shambho,

Anthya Brahma bhaskaraya

2.Swetha varnam,Spatika seelam,

Agni varnam bhaskaraya.

3.Chayalolam Chandra phalam,

Gagana sanchari bhaskaraya.

Audio:     Saptha swaroodam

Website

https://www.karnatik.com/c17787.shtml

YouTube Videos:

https://www.youtube.com/watch?v=cC_fuE-g9CQ

https://www.youtube.com/watch?v=C1FQYtZB_B4

https://www.youtube.com/watch?v=_poNq9JYIq4

https://www.youtube.com/watch?v=oShuS5fkXJM

Brindavana Saranga raga

 Brindavana Saranga ragam

Brindavana Saranga, also known as Brindavani Sarang in Hindustani music, is a delightful and serene ragam in Carnatic music. It is known for its evocative and calming nature, often associated with devotion and spirituality.

Structure of Brindavana Saranga Ragam

Brindavana Saranga is an audava-sampurna ragam, meaning it has five notes in the ascending scale (arohana) and seven notes in the descending scale (avarohana).

Arohana (Ascending Scale):

S R2 M1 P N3 S

• S: Shadjam
• R2: Chatusruti Rishabham
• M1: Suddha Madhyamam
• P: Panchamam
• N3: Kakali Nishadham
• S: Shadjam (higher octave)

Avarohana (Descending Scale):

S N3 D2 P M1 G3 R2 S

• S: Shadjam (higher octave)
• N3: Kakali Nishadham
• D2: Chatusruti Dhaivatham
• P: Panchamam
• M1: Suddha Madhyamam
• G3: Antara Gandharam
• R2: Chatusruti Rishabham
• S: Shadjam

Characteristics

• Vakra Prayoga: The descending scale includes a vakra (zigzag) movement, particularly around the Gandharam (G3) and Dhaivatham (D2).
• Madhyamam Usage: It prominently uses the Suddha Madhyamam, contributing to its unique sound.
• Serene and Devotional: The ragam is known for its tranquil and devotional mood, often evoking a sense of peace and spirituality.

Popular Compositions in Brindavana Saranga Ragam

Brindavana Saranga has inspired numerous classical compositions. Some well-known kritis include:

1. "Rangapuravihara" by Muthuswami Dikshitar
2. "Sri Ranga Pura Vihara" by Muthuswami Dikshitar
3. "Paahi Sri Giriraja Sutha" by Mysore Vasudevacharya

Mood and Usage

Brindavana Saranga is often performed during the early morning or late evening. Its serene and devotional nature makes it suitable for both spiritual and contemplative compositions. The ragam is frequently used in devotional songs, kirtanas, and classical concerts to evoke a sense of devotion and tranquility.

In Performance

When rendered, Brindavana Saranga creates an atmosphere of calm and devotion. The ragam’s gentle and flowing nature allows performers to explore deep emotional and spiritual expressions, often leaving listeners in a state of bliss and contentment.

Exploring Brindavana Saranga provides insight into the expressive range and emotional depth of Carnatic music, showcasing its ability to convey profound sentiments through its ragas.

Amrithavarshini Ragam

 Amrithavarshini Ragam

Amrithavarshini is a captivating and auspicious ragam in Carnatic music. The name "Amrithavarshini" translates to "shower of nectar," and the ragam is often associated with invoking rain and blessings.

Structure of Amrithavarshini Ragam

Amrithavarshini is an audava-audava ragam, meaning it has five notes in both the ascending scale (arohana) and descending scale (avarohana).

Arohana (Ascending Scale):

S G3 M2 P N3 S

• S: Shadjam
• G3: Antara Gandharam
• M2: Prati Madhyamam
• P: Panchamam
• N3: Kakali Nishadham
• S: Shadjam (higher octave)

Avarohana (Descending Scale):

S N3 P M2 G3 S

• S: Shadjam (higher octave)
• N3: Kakali Nishadham
• P: Panchamam
• M2: Prati Madhyamam
• G3: Antara Gandharam
• S: Shadjam

Characteristics

• Pentatonic Scale: Amrithavarshini has a five-note scale both ascending and descending, making it a pentatonic ragam.
• Bright and Joyful: The ragam is known for its bright, uplifting, and joyous character.
• Janya Ragam: It is a derivative (janya) of the 65th Melakarta ragam Kalyani.

Popular Compositions in Amrithavarshini Ragam

Amrithavarshini ragam is known for several notable compositions. Some of the well-known kritis include:

1. "Sudhamayi" by Muthuswami Dikshitar
2. "Anandaamrithakarshini" by Muthuswami Dikshitar
3. "Sarasiruhasanapriye" by Puliyur Doraiswamy Iyer

Mood and Usage

Amrithavarshini ragam is traditionally believed to have the power to invoke rain, making it a ragam associated with fertility, prosperity, and joy. The ragam's bright and cheerful nature makes it popular for auspicious occasions and festive performances.

In Performance

When rendered, Amrithavarshini ragam creates a lively and positive atmosphere. The ragam's unique scale offers a distinctive sound that is both mesmerizing and uplifting, often leaving listeners in a state of bliss and contentment.

Exploring Amrithavarshini ragam allows one to experience the diversity and richness of Carnatic music, showcasing the tradition's ability to convey a wide range of emotions and themes through its ragas.

Saraswati ragam

 Saraswati ragam

Saraswati is a beautiful and serene ragam (musical scale) in Carnatic music, which is the classical music tradition of South India. Named after Saraswati, the Hindu goddess of knowledge, music, and arts, this ragam is known for its soothing and melodious quality.

Structure of Saraswati Ragam

Saraswati is an audava-shadava ragam, meaning it has five notes in the ascending scale (arohana) and six notes in the descending scale (avarohana).

Arohana (Ascending Scale):

S R2 M1 P D2 S

• S: Shadjam
• R2: Chatusruti Rishabham
• M1: Suddha Madhyamam
• P: Panchamam
• D2: Chatusruti Dhaivatham
• S: Shadjam (higher octave)

Avarohana (Descending Scale):

S N2 D2 P M1 G2 R2 S

• S: Shadjam (higher octave)
• N2: Kaisiki Nishadham
• D2: Chatusruti Dhaivatham
• P: Panchamam
• M1: Suddha Madhyamam
• G2: Sadharana Gandharam
• R2: Chatusruti Rishabham
• S: Shadjam

Characteristics

• Janya Ragam: Saraswati is derived from the 64th Melakarta ragam Vachaspati.
• Vakra Prayoga: The descending scale has a vakra (zigzag) structure due to the inclusion of G2 (Gandharam) and N2 (Nishadham).

Popular Compositions in Saraswati Ragam

Saraswati ragam has been used in several classical compositions. Some well-known kritis include:

1. "Saraswati Namostute" by G.N. Balasubramaniam
2. "Anuraga Manjari" by Koteeswara Iyer
3. "Neeye Tunai" by Papanasam Sivan

Mood and Usage

Saraswati ragam evokes a sense of devotion, tranquility, and grace. It is often performed during concerts to create a peaceful and reflective atmosphere.

By exploring Saraswati ragam, listeners and performers can appreciate the depth and elegance of Carnatic music, contributing to its rich tradition and cultural heritage.

Parnika Music Classes

Parnika Music Classes

Music Guru Name:  Venu Srirangam

https://www.talentrack.in/talent/talentportfolio/uid/c7a47cfb0a6c875d8cf36b599f29e320

https://gaana.com/artist/venu-srirangam/albums

Institute Name: Srirangam Academy Of Arts

Music Reading : Sight Reading, Read Charts

Genre : Indian Classical, Ghazal, Bhajan, Folk Light Music is the translation of "లలిత సంగీతం" Songs To Learn