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Brighas
In Carnatic music, "brighas" refer to fast-paced, intricate melodic passages that are executed with precision and speed. They are a crucial aspect of a musician's technical proficiency and are often used to embellish and enhance the rendition of a raga or a composition. Here are some key points about brighas:
Technical Skill: Performing brighas requires a high level of technical skill, control, and practice. Musicians must have excellent breath control (for vocalists) or finger dexterity (for instrumentalists) to execute these rapid passages cleanly.
Improvisation: Brighas are often used in the improvisational sections of a performance, such as in alapana (raga exploration), neraval (improvisation within a specific line of a composition), and kalpana swaras (improvised solfege). They add excitement and virtuosity to the performance.
Structure: While brighas are fast and intricate, they are still bound by the rules of the raga being performed. The notes and phrases used in brighas must conform to the raga's scale and characteristic patterns.
Expression: Although brighas are technically demanding, they are not just about speed. They must be executed with appropriate gamakas (ornamentations) and expressions to convey the emotional essence of the raga.
Practice: Musicians often practice brighas extensively, breaking them down into smaller segments and gradually increasing the speed. This helps in achieving the clarity and precision required for performance.
Application: Brighas can be applied in various parts of a composition, including the pallavi (opening section), anupallavi (secondary section), and charanam (concluding section). They can also be featured prominently in swara kalpana (improvised solfege passages) and thillanas (rhythmic compositions).
Brighas are a testament to a musician's mastery and add a dynamic, exhilarating dimension to Carnatic music performances.
Websites:
https://www.quora.com/What-is-Briga-in-Carnatic
https://www.quora.com/What-is-the-difference-between-gamakas-brugas-and-sangathy-in-Hindustani-classical-music
Youtube Videos:
https://www.youtube.com/watch?v=8i1VyR1zJ48
https://www.youtube.com/watch?v=0BqmDry7zjw
Music Interviews, Podcasts
https://www.youtube.com/watch?v=ahw8301gzQc
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https://www.youtube.com/watch?v=-LkpVn84e3Q
https://www.youtube.com/watch?v=-LkpVn84e3Q&t=8s
https://www.youtube.com/@TDLInterviews
https://www.youtube.com/watch?v=gzEEa3BjD9M
LALITHA SANGEETHAM
"Lalitha Sangeetham" refers to the traditional and classical music of South India, commonly known as Carnatic music. Carnatic music is a major system of Indian classical music, deeply rooted in ancient Hindu traditions and texts. Here are some key features of Lalitha Sangeetham or Carnatic music:
Ragas: These are the melodic frameworks that provide a set of rules for building a melody. Each raga is associated with specific moods, times of the day, and seasons.
Talas: These are the rhythmic cycles in Carnatic music. They provide the framework for the timing of the music, ensuring that the beats and rhythm are followed accurately.
Compositions: The primary types of compositions in Carnatic music include varnams, kritis, padams, and javalis. Compositions are often in praise of Hindu deities and are rich in lyrical and musical content.
Improvisation: Carnatic music features extensive improvisation, with artists often showcasing their skill through alapana (improvised exploration of a raga), neraval (improvisation within a composition), and kalpana swaras (improvised solfege).
Instruments: Common instruments in Carnatic music include the veena, mridangam, violin, flute, and ghatam. Vocal music also plays a significant role, with many compositions written specifically for voice.
Artists: Some renowned Carnatic musicians include M.S. Subbulakshmi, Lalgudi Jayaraman, Semmangudi Srinivasa Iyer, and Tyagaraja, one of the most famous composers in the tradition.
Festivals and Concerts: Carnatic music is celebrated in various festivals, such as the Tyagaraja Aradhana and the Madras Music Season, where artists from all over the world perform.
Lalitha Sangeetham represents the rich cultural heritage and musical tradition of South India, continuing to evolve while retaining its classical roots.
Youtube Videos:
https://www.youtube.com/watch?v=rJ-z3lO05to
https://www.youtube.com/watch?v=0dO1iv_qLyQ
Behaag Ragam
"Behaag ragam" refers to a raga in Carnatic music, the classical music of South India. Behaag is known for its melodious and soothing nature. It is often performed in the late night and is associated with feelings of devotion and tranquility. This raga has specific scales and patterns that define its structure and evoke its unique emotional essence.
Behaag ragam, also spelled as Behag, is a melodious raga in Carnatic music that belongs to the Hindustani raga tradition but is also used in Carnatic compositions. Here are some details about Behaag:
Narayanathe Song
Websites:
https://www.annamayyakeerthanalu.in/2011/09/narayanathe-namo-namo-annamayya.html
https://www.karnatik.com/c1564.shtml
https://www.raaga.com/carnatic/songs/narayanathe-namo-47425#google_vignette
https://carnaticpedia.com/songs/100/narayanathe_namo_namo
https://www.hindudevotionalblog.com/2022/01/narayanathe-namo-namo-telugu-lyrics.html
Youtube Videos:
https://www.youtube.com/watch?v=N7vS1KeLoe8
https://www.youtube.com/watch?v=JB0_-zkcoXA
https://www.youtube.com/watch?v=xLlrP3HnfPU
Akaaram Ukaaram Ekaaram Makaaram
https://www.youtube.com/watch?v=7Vit7dNamFk
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https://www.youtube.com/watch?v=8-Qwm7qt11U&list=PLRgIa8N-KihVmxplo7h8NvgzHpOaGhG8x
https://www.youtube.com/watch?v=9-8UlmGHalk
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https://www.youtube.com/watch?v=hM-JbkKHUfM&t=66s&pp=ygUGVWthcmFt
https://www.youtube.com/watch?v=Rq_DJ9wt7Qc
Ukaaram
Ekaaram
Makaaram
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